TY - JOUR
T1 - "Hideous progeny"
T2 - Representing the unconscious in English narrative before freud
AU - Campbell, Charles
PY - 2013
Y1 - 2013
N2 - Beginning with "Beowulf," the monsters in English fiction represent the uncontrollable forces of the unconscious operating in similar narrative landscapes and plots. An archetypal narrative dynamic occurs in "Beowulf," "Clarissa," "Frankenstein," "Wuthering Heights" and "Dr. Jekyll and Mr. Hyde," a pattern of opposition between a house of order and a house of the outsider (the dwelling of the monster), with journeys, spying and existential conflict between the two. These shared elements of form reflect a common concern with the incursions of the unconscious into the structures of civilized social life. The monster is humanized in the novel, after his initial appearance as Grendel, but he retains his original character, setting, movements and aggressions. This study shows how this outsider figure is represented on a typical landscape and how he figures in various fictional worlds. The perspective thus opened provides new insights into narrative form and into consciousness of the unconscious in fiction.
AB - Beginning with "Beowulf," the monsters in English fiction represent the uncontrollable forces of the unconscious operating in similar narrative landscapes and plots. An archetypal narrative dynamic occurs in "Beowulf," "Clarissa," "Frankenstein," "Wuthering Heights" and "Dr. Jekyll and Mr. Hyde," a pattern of opposition between a house of order and a house of the outsider (the dwelling of the monster), with journeys, spying and existential conflict between the two. These shared elements of form reflect a common concern with the incursions of the unconscious into the structures of civilized social life. The monster is humanized in the novel, after his initial appearance as Grendel, but he retains his original character, setting, movements and aggressions. This study shows how this outsider figure is represented on a typical landscape and how he figures in various fictional worlds. The perspective thus opened provides new insights into narrative form and into consciousness of the unconscious in fiction.
KW - Archetype
KW - Fictional landscape
KW - Hero
KW - Monster
KW - Narrative
KW - Outsider
KW - Unconscious
UR - http://www.scopus.com/inward/record.url?scp=84900535295&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=84900535295&partnerID=8YFLogxK
U2 - 10.18848/2327-7912/CGP/v10i03/43872
DO - 10.18848/2327-7912/CGP/v10i03/43872
M3 - Article
AN - SCOPUS:84900535295
SN - 2327-7912
VL - 10
SP - 11
EP - 23
JO - International Journal of Literary Humanities
JF - International Journal of Literary Humanities
IS - 3
ER -